Another notable link between the two movies is that the addition of an artificial intelligence personality. Prometheus provided a more "individual" appearing AI personality, an android called David, a "robot" supposedly consigned to encourage team responsibilities who nonetheless had a particular HAL-like excellence despite having a somewhat childlike demeanor and a remarkably bizarre fascination with Lawrence of Arabia.
Prometheus trafficked in a number of the greatest theories imaginable, again very similar to 2001: A Space Odyssey, but unlike Arthur C. Clarke's screenplay for this film, that was actually fairly straightforward despite several presentational obfuscations, Damon Lindelof and Jon Spaights' situation for the Scott movie seemed content to allow several unanswered questions surfaced, some thing that a number of audiences of Prometheus suspected could be solved in an already declared follow up.
Alien: Covenant very name reestablishes a link to Scott's unique tale of ultra chilling xenomorphs, but it proceeds to exploit Prometheus' sometimes confounding mixture of metaphysics and surprising character traits, together with Fassbender back as a "new, improved" version of David currently named Walter. Walter and David turn out to be the lynchpin around which a lot of Alien: Covenant hinges, and as the movie is frequently an exercise in uncertain motivations and another ton of unanswered queries, Fassbender's performances help to provide this movie a number of its most distinctive flavor.
The preface revealing David's first interactions with his manufacturer Peter Weyland possibly cheekily mention the whole subtext of both Prometheus and Alien: Covenant, specifically Person's possibly genetically encoded have to understand His own source story. The movie quickly segues to about a decade following the events of Prometheus, using a new boat, the titular Covenant, wanting to colonize some proper outpost, until tragedy strikes.
With casualties mounting, Walter, the upgraded version of David, tries to attract key personnel from stasis, with much more catastrophe leading. Although this movie didn't have Damon Lindelof because of co-writer, there is a definite Lost-esque component using a mysterious signal being broadcast that ignites the could be colonists into a nearby world. Alien: Covenant type of pretends to take care of a few of immense metaphysical questions that supplied Prometheus with a number of its assumed thickness.
But the truth is it will become evident that Scott would like to reevaluate some of those "volatile" components that made the first Alien such a feeling back in the afternoon, together with the team almost immediately becoming infected with different "morphs" from almost the moment they set foot in the world using the beacon signal. This movie appears to be in a hurry for those gory minutes, sacrificing story coherence and personality growth consequently.
There is more a vignette driven sensation in Alien: Covenant than has been evident in Prometheus, together with Scott gliding from attack to strike with short time outs for folks to catch their breaths. The entire Engineer facet of this growing Prometheus mythos is sort of weirdly glossed over here, not more satisfactorily explained than it had been from the preceding movie. Without spoiling too much of among the movie's admittedly fairly predictable "spins", Fassbender has to perform dual duty as the 2 variations of this Weyland AI production.
It is here that the movie really finds some actual vitality, also Fassbender, while arguably painting the scene in a somewhat hyperbolic manner, invests the film with a more meaningful sort of creepiness than is summoned by dreams of xenomorphs marauding through the dim. In contrast, Waterston comes off as sort of anemic, a heroine in title only, and yet one whose destiny in this movie might not be mourned by many.
Wallpaper from the movie: